Lot of 3b, Willem Dafoe, Udo Kier, John Malkovich stills SHADOW OF THE VAMPIRE (

Description

(They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
Lot of 3b, Willem Dafoe, Udo Kier, John Malkovich stills SHADOW OF THE VAMPIRE (1975) Elias Merhige, Cary Elwes, Catherine McCormack, studio vintage originals
– GET SIGNED!
This lot of approximately 8” x 10” photos will sell as a group. The first picture is just one of the group, please open and look at each still in this lot to measure the high value of all of them together. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photographs. I just placed them on this listing to protect these high quality images from being bootlegged. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
PLEASE BE PATIENT WHILE ALL PICTURES LOAD
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These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
DESCRIPTION:
The torturous production of the classic 1922 vampire film Nosferatu is recreated in this stylized account of director F.W. Murnau and his obsession with creating realistic horror by any means necessary -- even if those means include actual bloodletting. The film begins as Murnau (John Malkovich) is ready to take his unauthorized interpretation of the Bram Stoker tale on location in Czechoslovakia. There, the director has arranged for his cast and crew to live in the same castle in which they will shoot their parts, as they all wait for their co-star, Max Schreck (Willem Dafoe) -- Murnau's choice to play Count Orlok -- to arrive. Their leader has warned them that Schreck is a student of the Stanislovsky method of performance and will not respond to them out-of-character. Nothing, however, can prepare them for the real thing: when the actor arrives, he's already in full Gothic regalia, asserting that he is indeed a vampire. Schreck makes good on his claims by terrorizing the cast and crew, attacking Murnau's original cinematographer (Wolfgang Muller) and plucking bats out of the air for midnight snacks. Director E. Elias Merhige previously made his name with his experimental theater productions and with his horrific film school thesis, Begotten.
CONDITION:
These quality vintage and original release stills are in MINT condition (old yes, but as new, unused, pristine, none better!). PERFECT TO BE AUTOGRAPHED OR SIGNED AT A PERSONAL APPEARANCE! I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. (They came from the studio to the theater during the year of release and went into storage for many years!) They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound with even more extra ridge packing.
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PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
A fanciful retelling of the making of the classic 1922 horror film Nosferatu, this second feature by independent director E. Elias Merhige boasts a healthy knowledge of cinema history, particularly in its recreations of director F.W. Murnau's work locales and star Max Schreck's freakish visual appearance, but suffers from characterizations that would seem over-the-top in a vaudeville show. Malkovich suggests all of the bluster of director Murnau, but little of what made him such a vital director. In fact, judging by Malkovich's arch, often unpleasant portrayal, F.W. Murnau may as well have been Ed Wood. Dafoe fares better as the pointy-eared, blood-starved Schreck, but his technically precise performance exists as more of a stunt than anything else, leaving human emotions at bay. Shadow of the Vampire attempts to create a revisionist rhetoric of the tumultuous behind-the-scenes aspects of Nosferatu, but never quite understands the logic behind it. This is partly the point, but often the film's befuddled, rigid structure makes it more of an ordeal than it should be, especially when the original 1922 film on which its events are based is far richer in its exploration of frightful behavior without drawing so much attention to itself. A film that succinctly defines "not for all tastes," Shadow of the Vampire premiered at the 2000 Cannes Film Festival.
One of the leading actors of his generation and an important figure in world cinema, John Malkovich made the term "icy calm" his trademark. After winning acclaim for his characterization of the scheming Vicomte de Valmont in Dangerous Liaisons, he became associated with a series of roles that, to put it plainly, essentially required him to be an evil bastard.   The product of a large, highly intellectual family, Malkovich was born December 9, 1953, in Christopher, IL. Initially a portly youth, he underwent a self-imposed physical transformation, emerging as a star high school athlete. He went on to attend Eastern Illinois University, where he originally aspired to be a professional environmentalist. With his friend Gary Sinise, Malkovich helped co-found Chicago's Steppenwolf Theatre in 1976. Seven years later, he won an Obie award when the Steppenwolf production of Sam Shepard's True West was brought to New York. He next appeared on Broadway with Dustin Hoffman in the 1984 revival of Death of a Salesman; when it was transformed into a television movie a year later, Malkovich won an Emmy for his efforts. While he was working on Broadway, he made his film debut, playing a blind transient in Places in the Heart (1984), which earned him an Oscar nomination. He also had a starring role in The Killing Fields the same year.   Although certainly capable of projecting warmth and pathos, Malkovich became best-known for his ice-water-in-the-veins roles. In addition to praise for his performance in Dangerous Liaisons, Malkovich won recognition -- and Oscar and Golden Globe nominations -- for his portrayal of the chameleon-like political assassin in Wolfgang Peterson's In the Line of Fire (1993). Other sinister Malkovich characterizations include Kurtz in the 1994 TV-movie version of Joseph Conrad's Heart of Darkness, the secretive Dr. Jekyll in Mary Reilly (1996), and Isabel Archer's dastardly husband in The Portrait of a Lady (1996). In 1999, Malkovich played what was undoubtedly his most unusual role -- himself -- in Spike Jonze's Being John Malkovich. Both the subject of the film and one of its stars, he had the surreal duty of letting the film's other characters into his mind, something many audience members had no doubt been dreaming of doing for years. The film provided Malkovich's career with a sort of popular resurgence, and the following year found him essaying the role of a wild eyed F.W. Murnau in the dark horror comedy Shadow of the Vampire. The second feature by experimental filmmaker E. ELias Mehrige, Shadow of the Vampire took a magic realism approach to documenting the production of Murnau's legendary 1922 classic Nosferatu.   In the years that followed Malkovich continued his trend of alternating roles in high-profile Hollywood fare with more artistically gratifying foreign films, and after turning up in the German miniseries Les Miserables (2000) and Je rentre a la maison Malkovich turned up opposite Vin Diesel in the box office flash Knockaround Guys (2001). In 2002 Malkovich picked up where Matt Damon left off in the thriller Ripley's Game before traveling back in time for the historical adventure drama Napoleon. After cracking up international audiences in Johnny English (2003), fans got to see Malkovich take on the role of a Stanley Kubrick imposter in the fact based Colour Me Kubrick.   After a string of decidedly small films, Malkovich surfaced in 2005 in the sci-fi comedy blockbuster The Hitchhiker's Guide to the Galaxy. Based on the cult novel by Douglas Adams, the picture cast Malkovich as an alien guru and gave him a chance to flex some of his sillier chops.   Maintaining his theatrical ties while tending to his successful film career, Malkovich appeared in the 1993 Broadway production State of Shock, and has periodically returned to Chicago to both act and direct in local presentations. For a number of years, he was married to fellow Steppenwolf alumnus Glenne Headly.
Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.   Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group.   Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.   Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992).   Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico.   Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.
John Malkovich FW. Murnau Willem Dafoe Willem Dafoe Max Schreck Cary Elwes Cary Elwes Fritz Wagner Eddie Izzard Eddie Izzard Gustav Von Wangerheim Udo Kier Udo Kier Albin Grau Catherine McCormack Catherine McCormack Greta Schroeder Ronan Vibert Ronan Vibert Wolfgang Muller